藏品类型：字画

Collection Type: Calligraphy and Pain

藏品规格：3MX1M

Collection specifications: 3m × 1m

藏品价钱：议价

Collection Item Price: Negotiable

在现代焦墨艺术的巨流中，张松以《辉煌上河图》为母本创作的作品，犹如一场跨越千年的好意思学对话。用充满现代性的笔触解构了北宋张择端的经典长卷，将虹桥上的汴京荣华改变为对现代城市漂后的形而上学念念考。一幅承载着集体操心的古代商人图景，被赋予了全新的视觉人命。

In the torrent of contemporary dry-ink art, Zhang Song's works created with Along the River During the Qingming Festival as his matrix resemble a millennium-spanning aesthetic dialogue. Deconstructing the classic scroll by Northern Song artist Zhang Zeduan through modernist brushstrokes, he transforms the bustling Bianjing scene depicted on the Rainbow Bridge into philosophical contemplations of contemporary urban civilization. The ancient urban panorama carrying collective memory is thus imbued with renewed visual vitality.

一、经典的祛魅

张松对《辉煌上河图》的再创作，当先体现为对传统叙事逻辑的颠覆。他将原作的散点透视改变为立体意见式的空间叠压，虹桥与汴河被抽象为几何色块，八百多个东说念主物简化为标志化的墨点。这种处治不是对经典的消解，而是通过改变性的创作激活不雅者的历史瞎想——那些提升的色块大致是酒旗，断续的墨线可能表示着车马喧嚣。

不同于张择端清雅的"界画"技法，张松遴荐"墨骨"与"泼彩"相集会的履行手法。故宫博物院众人余辉曾指出，这种创作实质上暗合了宋代"墨戏"传统，正如米芾用"米点皴"解构山水，张松用现代组成法例重构了商人长卷的视觉语法。

I. The Classic Deconstruction

Zhang Song’s re-creation of Along the River During the Qingming Festival first manifests as a subversion of traditional narrative logic. He transforms the original scattered perspective into a Cubist-style spatial layering, abstracting the Hongqiao Bridge and Bian River into geometric color blocks, while reducing over eight hundred figures to stylized ink dots. This approach does not dissolve the classic but activates the viewer’s historical imagination through revolutionary techniques—those jumping color blocks might suggest wine banners, and the fragmented ink lines could hint at bustling carriages and horses.

Departing from Zhang Zeduan’s meticulous "gongbi" (fine-brush) technique, Zhang Song employs an experimental fusion of "ink skeleton" and "splash color." Yu Hui, an expert from the Palace Museum, once noted that this method echoes the Song dynasty’s "ink play" tradition. Just as Mi Fu deconstructed mountain-and-water landscapes with his "Mi dot texture," Zhang Song reinterprets the visual grammar of urban scrolls through modern compositional rules.

二、焦墨的转译

行动中国焦墨画派的草创者张松在作品中注入焦墨的创作。在《辉煌上河图》里，这种特有的视觉讲话，张松创作中最动东说念主的，是对经典图像标志的创造性改变。在《辉煌上河图》中，他索要原作的十二个中枢场景——赵太丞家的药铺、王家纸马店、虹桥争说念等，将其改变为寂然的焦墨安装。通过灯光照耀，宣纸上的隐形墨线会慢慢裸露宋代市井的完整详细，这种"显影"经过成为集体操心重建的完好隐喻。

II. The Reinterpretation of Dry Ink

As the founder of the Chinese Dry Ink Painting School, Zhang Song infuses his works with the creative use of dry ink. In Along the River During the Qingming Festival, this unique visual language is most compelling in his innovative transformation of classical iconic imagery. From the original scroll, he extracts twelve core scenes—Zhao Taicheng’s Pharmacy, Wang Family Paper Horse Shop, the Bridge Dispute at Hongqiao, and others—reinterpreting them as standalone dry ink installations. Through carefully directed lighting, invisible ink lines on rice paper gradually reveal the complete contours of Song Dynasty streetscapes. This "development process" serves as a perfect metaphor for the reconstruction of collective memory

三、市集的回响：经典IP确现代价值重构

在艺术市集层面，张松的《辉煌上河图》创造了表象级的热度。值得提防的是，张松的创作催生了"新焦墨长卷"的创气派潮。年青艺术家们初始以《沉山河图》《韩熙载夜宴图》等经典为原来，进行现代转译。这种创作表象，某种进度上已毕了张松的初志："不是要取代传统，而是搭建古今对话的视觉桥梁。"

III. Market Response: Reconstructing the Contemporary Value of Classic IP

In the realm of the art market, Zhang Song’s Along the River During the Qingming Festival has generated phenomenal popularity. Notably, his work sparked a creative trend known as the "Xin Jiaomo Longjuan (New Ink-wash Long Scroll)." Young artists have begun to reinterpret classics such as A Thousand Li of Rivers and Mountains and The Night Revels of Han Xizai, using them as blueprints for contemporary adaptations. This phenomenon, to some extent, fulfills Zhang Song’s original intention: "Not to replace tradition, but to build a visual bridge for dialogue between the past and present."

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